
Day 5: Eden Lake (James Watkins, 2008)
Eden Lake had such a profound effect on me upon my first viewing that I genuinely didn’t want to see it again. The only reason I do is because, like a lot of challenging and confrontational cinema, it’s really very good. Those going into it for the first time, however, should take heed: it is not a film to take lightly. Expect one of the toughest horror films of the last decade.
Simplistically listed in many reviews as Straw Dogs with chavs, the analogy is not as unfair as you might think. Both films deal with the nature of violence and its repercussions, questioning whether meeting violence with violence is a necessary means when threatened or whether, in the end, it simply makes things worse. The difference between Straw Dogs and Eden Lake, however, is that Eden Lake has no shame in following typical genre conventions, complete with impossibly narrow escapes from danger and characters tripping mindlessly over fallen objects.
The thing is, is that Lake deals with a very prominent and real threat in the form of a group of antisocial youths. The instigation of all the horror that follows is the simple act of politely asking them to turn their music down, something as innocuous as anything heard in the British press. How often have we heard the excuse “he just looked at me funny?” and whilst, for a while, the kids have their “fun”, things quickly get out of hand until our protagonists (Kelly Reilly and Michael Fassbender respectively) are literally fleeing for their lives.

What follows is an often unbearably tense game of cat and mouse where capture will most certainly lead to an unpleasant demise. What’s worse is that from an early stage, it’s clear much of the violence will be visited upon children and this in itself is deeply problematic and makes for some seriously uncomfortable viewing. Apart from Brett, most of the kids realise they are in way over their heads and once they start dying there is suddenly a sense of sympathy for them. They are, in actual fact, just kids.

Eden Lake is a film that is impossible to like and sets out, from the start, to challenge and abuse you. Unless you have a hide of steel, it will succeed admirably. Empire stated in their review: “you don’t watch it, you survive it” and, surprisingly, the Daily Mail gave a full five stars calling it "the most socially relevant horror film in years". It’s ending is audacious in its flat out refusal to relinquish its hold and delivers one of the harshest and darkest endings of any film in years (beaten only by Frank Darabont’s The Mist in 2007) and, I assure you, you will not want to watch it again for a very long time.
And all because Fassbender asked them to turn their sodding music down.
5/5

No comments:
Post a Comment